Here are a few songs I am enjoying these days:
"Adagio of Spartacus and Phrygia", Aram Khachaturian [
iTunes store]: I'm playing in a concert with the Mennonite Community Orchestra this Sunday and this is one of the pieces on the program. When it comes to classical music, I usually enjoy the pieces from the
late romantic period, by composers like Tchaikovsky and Dvorak, with lush sweeping themes and interesting harmonies. This is a later work, but a good one nonetheless.
Khachaturian is a 20th-century Armenian composer who worked and lived in the Soviet Union, so his story is particularly interesting. Musically he follows in the footsteps of the likes of Tchaikovsky (the harmonies are just that much braver), but because of the era in which he lived, his works include titles such as
Ode in Memory of Vladimir Ilich Lenin (1948) and
Poem about Stalin (1938) (not surprisingly, I couldn't find either of these on iTunes).
A Time Magazine
article from 1947 shows the extent to which the arts were influenced and restricted by the Communist leadership [
all emphasis mine]:
All in all, the Union of Soviet Composers proudly reported, 1,000 compositions had been specially written for the anniversary [of the revolution]. None was awaited with more interest than the new overture by brilliant young Aram Khachaturian, 43, which will have its premiere in Leningrad during the celebrations. He had scored it for 110 pieces, including a pipe organ and 18 trumpets. Said he: "It has no literary program—it is pure music." Then he hastily added: "But it has ideas . . . the legitimate feeling of pride and rejoicing for our nation's victory over the German invaders and the social significance of the 30th anniversary of the revolution. . . ."
Khachaturian has served his state well, and has been well served by it. Among his compositions is a Poem on Stalin. . . . He made a big hit with the Russian public during the war by returning one of his 50,000-ruble Stalin prizes ($10,000) and asking that a tank be built with the money.
A year later, Khachaturian and two other composers (Prokofiev and Shostakovich) were denounced for "formalism": that is art for art's sake, individuality, and lack of "socialist realism". The "Adagio" was written in the 10 years between his denouncement and re-instatement with the Composers' Union.
The reason I linked to this particular recording via the iTunes store is that I was shocked to hear such glaring tuning issues on a recording from a professional orchestra (in this case, the St. Petersburg State Orchestra, who I felt would be able to lend the most Russian feeling to the piece). If you do bother to drop the $0.99 to download the song (not a bad price for 10 minutes of music), listen especially to the oboe solo around 1:05 which is particularly cringe-worthy, if you have any kind of ear. I'll admit to being overly sensitive about tuning sometimes (for instance, the next song I'll talk about is recorded just slightly off of "real" pitch based on A-440), but in places in this recording, it is painfully obvious.
Our orchestra will be performing a simplified arrangement of the piece, due to the rather wide range of ability in our group (I think that is a nice way of putting it). But there appears to be little difference between the recorded version and the one we'll be performing. The only thing I could notice was that a violin solo in the original edition is played instead by the whole section in our arrangement, near the end of the piece. And our oboist plays in tune. [Concert Sunday, 4 March 2007, 3pm, Canadian Mennonite University chapel]
"My Body is a Cage", The Arcade Fire: This is a song from the new album,
Neon Bible, which is due out next week. I'll reserve judgement on the whole package for the time being (or abstain altogether, since
this Pitchfork review more or less covers it). But this song, the album's closer, is excellent. I think I've mentioned before in this space my love of organ music, whatever form it takes. This song, which features a pipe organ, is no exception.
Those of you who are at all internet-savvy can surely find somewhere to download this song (or the whole album) and if you get a chance to listen to it, I guarantee you won't be disappointed. If you're underwhelmed by quantity of organ in the first part of the song, wait until the 2:14 mark for it to punch you in the face. Sure, it's a bit melodramatic, but you don't listen to an Arcade Fire album looking for subtlety.
Incidentally, Arcade Fire was on SNL on Saturday and while I thought their performance of "Intervention" (
youtube) was nothing special, "Keep the Car Running" was one of the tightest musical performances I've seen on that show.
FYI: I thought of giving this post the title "Khach me if you can" but thought better of it. And if you're wondering how this post managed to get so long, it's because I've been watching some of TSN's NHL trade deadline coverage (they are broadcasting 8 hours of live coverage today featuring 10 guys in suits) where they have mastered the art of saying a lot when little in fact is actually happening.
Labels: arcade fire, communism, khachaturian, music