At one point during this weekend's May Long camping excursion to
St. Ambroise (cold, rain, fun, swimming, smokies, sleep, although not necessarily in that order) conversation turned to music. There was a moment where I was forced to consider who would make my top 5 list of classical composers. At the time, I wasn't able to build a conclusive list, only admitting that Bach and Tchaikovsky would definitely make the cut.
But I've given it some more thought over the past few days, and have come up with a list. I must say that membership in this group of 5 is pretty fluid; there was a time not so long ago when Richard Wagner would be near the top. And I can't claim complete familiarity with the canon of classical music, so composers that I have encountered as a cellist, particularly in chamber ensembles or orchestras, the inside track. I've been drawn to these composers by certain pieces, but it's the body of their work that clinches things.
Without any further ado . . .
5. Ludwig van Beethoven
It might seem a little obvious, but there
is a reason that Beethoven is almost universally regarded as one of the greats. I played a few of his symphonies (#1 and #5, you know, duh-duh-duh-duuuuuuhhhh), and countless pieces for piano and cello, and each time you get into it you find something new.
He had me at . . . : Moonlight Sonata
4. Antonin Dvorak
I visited the Czech Republic in 2004 and it was pretty dreary and drab. Maybe things were different back then, or his music was a form of escape from dull Czech winters, but Dvorak's symphonic works never fail to grab me, with chilling melodies, and the salient harmonies you'd expect from a late-Romantic, eastern European, composer. In my orchestral career, I've played 3 of his symphonies (I won't list the numbers because those are
open to debate), including the enchanting Symphony for the New World. I don't think I'll ever have the technical ability to sink my teeth into his cello concerto, but that is a masterpiece as well.
He had me at . . .: Symphony for the New World (2nd mvmt, check out the rest as well)
3. Giuseppe VerdiI only know one Giuseppe Verdi work, his
Requiem. And unlike most of my musical experiences, my performance of this work was as a singer. Still, this work is variously a stormy tour-de-force (you probably recognize its
Dies Irae from countless TV commercials), and sublime. I'm not sure I could think of another work I'd rather listen to, on repeat, for the rest of my days.
He had me at . . .: Requiem - Agnus Dei
2. J.S. Bach
I think the most helpful analogy one can draw to underline Bach's importance to the western music tradition is to Shakespeare. He wasn't the first, but certainly defined the structure and many of the idioms of the language of western classical music. For cellists like myself, his six unaccompanied suites are our
Hamlet. Even in the relatively innocuous realm of music played at weddings, his
Air on a G string blows the far more popular
Canon in D from Pachelbel out of the water, defeating repetition with simplicity.
He had me at . . .: Prelude, Suite No. 1 (performed by the late Mstislav Rostropovich), and as a bonus, the sublime
Sarabande, from Suite No. 21. Pyotr Ilyich Tchaikovsky
For three years, when I was in youth orchestra, we had a conductor who was just as much of a Russophile as I was. During this period, we tackled some fairly ambitious works, among them Tchaikovsky's symphonies No. 4 and 5, and the magnificent Violin Concerto in A major. We didn't get to do the
Pathetique (no. 6) but what we did get to play was infused with plenty of Slavic pathos. There's something about Tchaikovsky's music that makes you actually
care, which may sound like high praise, but is definitely more than you can say for some composers (I'm looking at you, Vivaldi).
He had me at . . .: 1812 Overture (I like to think of this as the original mash-up, with themes from the French anthem,
La Marseillaise, battling for prominence with the hymns "God Preserve Thy People", and "God Save the Czar", which eventually triumphs)
Do you wish to disabuse me of the notion that this is an ironclad list that brooks no dissent? Do you have your own list? Leave a comment.
And, on a much lower plane of greatness, I'm pretty excited about the new
Handsome Furs album,
Plague Park. I've only heard the two tunes on their
myspace page, and I've already thrown around more than enough superlatives for one post, so let me just say that it all sounds pretty good.
Labels: bach, beethoven, classical, composers, dvorak, handsome furs, music, tchaikovsky, verdi